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Contributors

Contributors 19 TH CENTURY MUSIC Joanne Cormac is an Early Career Research Associate of the Institute of Musical Research. She recently completed her AHRC-funded doctoral thesis, entitled Liszt as Kapellmeister: The Development of the Symphonic Poems on the Weimar Stage, at the University of Birmingham. Her research interests include Liszt, nineteenth-century German theater, program music, genre development, and issues related to identity. Other Liszt publications include "From Tragedy to Melodrama: Rethinking Liszt's Hamlet, in Nineteenth-Century Music Review 10 (2013) and a chapter entitled "Orpheus: The Opera Liszt Never Wrote" in Liszt's Legacies, ed. James Deaville and Michael Saffle (Pendragon Press). Emily Frey is a doctoral candidate in music history and literature at the University of California, Berkeley. Her dissertation explores the connections among opera, psychological literature, and culture in Russia between 1866 and 1881. Other research interests include American musical theater and voice studies. Sarah Hibberd is associate professor in music at the University of Nottingham. Her research centers on nineteenth-century French musical culture, opera, and other forms of music theater such as melodrama, pantomime, and ballet. Her publications include a recent article in the Cambridge Opera Journal, the monograph French Grand Opera and the Historical Imagination (Cambridge University Press, 2009), and an edited volume of essays, Melodramatic Voices: Understanding Music Drama (Ashgate, 2011). 19th-Century Music, vol. 36, no. 3, pp. 264­65. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2013 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2013.36.3.264. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Contributors

19th-Century Music , Volume 36 (3) – Apr 1, 2013
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Publisher
University of California Press
Copyright
© 2013 by the Regents of the University of California
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2013.36.3.264
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Abstract

19 TH CENTURY MUSIC Joanne Cormac is an Early Career Research Associate of the Institute of Musical Research. She recently completed her AHRC-funded doctoral thesis, entitled Liszt as Kapellmeister: The Development of the Symphonic Poems on the Weimar Stage, at the University of Birmingham. Her research interests include Liszt, nineteenth-century German theater, program music, genre development, and issues related to identity. Other Liszt publications include "From Tragedy to Melodrama: Rethinking Liszt's Hamlet, in Nineteenth-Century Music Review 10 (2013) and a chapter entitled "Orpheus: The Opera Liszt Never Wrote" in Liszt's Legacies, ed. James Deaville and Michael Saffle (Pendragon Press). Emily Frey is a doctoral candidate in music history and literature at the University of California, Berkeley. Her dissertation explores the connections among opera, psychological literature, and culture in Russia between 1866 and 1881. Other research interests include American musical theater and voice studies. Sarah Hibberd is associate professor in music at the University of Nottingham. Her research centers on nineteenth-century French musical culture, opera, and other forms of music theater such as melodrama, pantomime, and ballet. Her publications include a recent article in the Cambridge Opera Journal, the monograph French Grand Opera and the Historical Imagination (Cambridge University Press, 2009), and an edited volume of essays, Melodramatic Voices: Understanding Music Drama (Ashgate, 2011). 19th-Century Music, vol. 36, no. 3, pp. 264­65. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2013 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2013.36.3.264.

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19th-Century Music – University of California Press

Published: Apr 1, 2013

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