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Contributors

Contributors Dorian Bandy is assistant professor at McGill also worked on early music and video game University’s Schulich School of Music, where music. he teaches musicology and historical perfor- mance. His research interests include Mozart Fabio Morabito is assistant professor of musicol- and Beethoven, with a particular emphasis on ogy at the University of Alberta, in Canada. His improvisation and the relationship between most recent articles are published in the 2021 and composition and performance. Recent publica- 2020 issues of Music & Letters and the Journal of tions include articles in Eighteenth-Century Musicology, and he coedited the volume Antoine Music and the Cambridge Opera Journal. His Reicha and the Making of the 19th-Century monograph on Mozart is forthcoming from the Composer (2021).He is atworkona monograph University of Chicago Press. entitled Making the Modern Composer,which explores processes of canon formation in the Cheng Wei Lim is a PhD candidate in music the- West, focusing on how nineteenth-century musi- ory at Columbia University. While he maintains ciansengagedwithever-widerpublics,andtherole a keen interest in performing and studying the played by musicologies of the past and the standard Western art music repertoire, he has present in shaping their musical identities. 194 19th-Century Music, vol. 46, no. 2, p. 194. ISSN: 0148-2076, electronic ISSN: 1533-8606 © 2022 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, https://www.ucpress.edu/journals/ reprints-permissions. https://doi.org/10.1525/ncm.2022.46.2.194. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Contributors

19th-Century Music , Volume 46 (2): 1 – Nov 1, 2022
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Publisher
University of California Press
Copyright
© 2022 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, https://www.ucpress.edu/journals/reprints-permissions.
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2022.46.2.194
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Abstract

Dorian Bandy is assistant professor at McGill also worked on early music and video game University’s Schulich School of Music, where music. he teaches musicology and historical perfor- mance. His research interests include Mozart Fabio Morabito is assistant professor of musicol- and Beethoven, with a particular emphasis on ogy at the University of Alberta, in Canada. His improvisation and the relationship between most recent articles are published in the 2021 and composition and performance. Recent publica- 2020 issues of Music & Letters and the Journal of tions include articles in Eighteenth-Century Musicology, and he coedited the volume Antoine Music and the Cambridge Opera Journal. His Reicha and the Making of the 19th-Century monograph on Mozart is forthcoming from the Composer (2021).He is atworkona monograph University of Chicago Press. entitled Making the Modern Composer,which explores processes of canon formation in the Cheng Wei Lim is a PhD candidate in music the- West, focusing on how nineteenth-century musi- ory at Columbia University. While he maintains ciansengagedwithever-widerpublics,andtherole a keen interest in performing and studying the played by musicologies of the past and the standard Western art music repertoire, he has present in shaping their musical identities. 194 19th-Century Music, vol. 46, no. 2, p. 194. ISSN: 0148-2076, electronic ISSN: 1533-8606 © 2022 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, https://www.ucpress.edu/journals/ reprints-permissions. https://doi.org/10.1525/ncm.2022.46.2.194.

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19th-Century Music – University of California Press

Published: Nov 1, 2022

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