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Contributors

Contributors INDEX Jessie Fillerup is assistant professor of musicology at the University of Richmond, where she teaches interdisciplinary courses in music, literature, philosophy, and gender studies. Her research focuses on Maurice Ravel, fin-de-siècle French music, and relationships between temporality, music, and theatrical magic. Currently she is writing a book that develops a theory of musical illusion in Ravel's music, using sources from music theory, theater history, literary criticism, philosophy, psychology, and neuroscience. Kelly St. Pierre lectures at Youngstown State University and in the SAGES (Seminar Approach to General Education and Scholarship) Program at Case Western Reserve University, where she received her PhD in musicology. She is working on a book that explores the earliest scholarship around Bed ich Smetana to reveal r the ways it generated political myths about the composer and his works; it also shows how these myths were adapted in twentieth-century scholarship to suit the ideologies of the Communist administration. Gavin Williams is research fellow at Jesus College, Cambridge. He has recently completed a PhD dissertation (Harvard University) on musical media and crowd noise in Milan ca. 1900 and is currently engaged in a collaborative research project about the sounds of the Crimean War. 19th-Century Music, vol. 37, no. 2, pp. 159­160. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2013 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2013.37.2.159. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Contributors

19th-Century Music , Volume 37 (2) – Oct 1, 2013
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Publisher
University of California Press
Copyright
© 2013 by the Regents of the University of California
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2013.37.2.159
Publisher site
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Abstract

INDEX Jessie Fillerup is assistant professor of musicology at the University of Richmond, where she teaches interdisciplinary courses in music, literature, philosophy, and gender studies. Her research focuses on Maurice Ravel, fin-de-siècle French music, and relationships between temporality, music, and theatrical magic. Currently she is writing a book that develops a theory of musical illusion in Ravel's music, using sources from music theory, theater history, literary criticism, philosophy, psychology, and neuroscience. Kelly St. Pierre lectures at Youngstown State University and in the SAGES (Seminar Approach to General Education and Scholarship) Program at Case Western Reserve University, where she received her PhD in musicology. She is working on a book that explores the earliest scholarship around Bed ich Smetana to reveal r the ways it generated political myths about the composer and his works; it also shows how these myths were adapted in twentieth-century scholarship to suit the ideologies of the Communist administration. Gavin Williams is research fellow at Jesus College, Cambridge. He has recently completed a PhD dissertation (Harvard University) on musical media and crowd noise in Milan ca. 1900 and is currently engaged in a collaborative research project about the sounds of the Crimean War. 19th-Century Music, vol. 37, no. 2, pp. 159­160. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2013 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2013.37.2.159.

Journal

19th-Century Music – University of California Press

Published: Oct 1, 2013

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