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Contributors

Contributors TH CENTURY MUSIC Andreas Giger is professor of music and the Natasha Loges is a pianist and head of post- Louise and Kenneth L. Kinney Professor of Op- graduate programmes at the Royal College of era at Louisiana State University, where he has Music, London. She is author of Brahms and His taught since 2000. He is author of Verdi and Poets (Boydell, 2017) and co-editor of Brahms in the French Aesthetic: Verse, Stanza, and Melody the Home and the Concert Hall (Cambridge, in Nineteenth-Century Opera (Cambridge, 2014). Her articles have appeared in Music & 2008), editor of the critical editions of Verdi’s I Letters and Nineteenth-Century Music Review. due Foscari (Chicago and Ricordi, 2017) and She broadcasts regularly for BBC Radio 3 and Pagliacci (forthcoming with Bärenreiter), and writes for BBC Music Magazine. co-editor (with Thomas J. Mathiesen) of Music in the Mirror: Reflections on the History of Martin Nedbal is assistant professor of musicol- Music Theory and Literature for the Twenty- ogy at the University of Kansas. He is the author First Century (Nebraska, 2002). He is currently of Morality and Viennese Opera in the Age of working on the critical editions of Verdi’s Un Mozart and Beethoven (Routledge, 2017). His ballo in maschera and Mascagni’s Cavalleria research deals with Mozart’s operas and na- rusticana. tional politics in Prague and Vienna in the late eighteenth and nineteenth centuries. IN OUR NEXT ISSUE (SUMMER 2018) ARTICLES Roger Moseley: Chopin’s Aliases Michael Klein: Chopin Fragments: Narrative Voice in the First Ballade Katherine Fry: Music and Language in Early Nietzsche: Revisiting The Birth of Tragedy 252 19th-Century Music, vol. 41, no. 3, pp. 252–254. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2018 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, http://www.ucpress.edu/ journals.php?p=reprints. https://doi.org/10.1525/ncm.2018.41.3.252. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Contributors

Press, University of California
19th-Century Music , Volume 41 (3): 1 – Mar 1, 2018
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Publisher
University of California Press
Copyright
© 2018 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.
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0148-2076
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1533-8606
DOI
10.1525/ncm.2018.41.3.252
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Abstract

TH CENTURY MUSIC Andreas Giger is professor of music and the Natasha Loges is a pianist and head of post- Louise and Kenneth L. Kinney Professor of Op- graduate programmes at the Royal College of era at Louisiana State University, where he has Music, London. She is author of Brahms and His taught since 2000. He is author of Verdi and Poets (Boydell, 2017) and co-editor of Brahms in the French Aesthetic: Verse, Stanza, and Melody the Home and the Concert Hall (Cambridge, in Nineteenth-Century Opera (Cambridge, 2014). Her articles have appeared in Music & 2008), editor of the critical editions of Verdi’s I Letters and Nineteenth-Century Music Review. due Foscari (Chicago and Ricordi, 2017) and She broadcasts regularly for BBC Radio 3 and Pagliacci (forthcoming with Bärenreiter), and writes for BBC Music Magazine. co-editor (with Thomas J. Mathiesen) of Music in the Mirror: Reflections on the History of Martin Nedbal is assistant professor of musicol- Music Theory and Literature for the Twenty- ogy at the University of Kansas. He is the author First Century (Nebraska, 2002). He is currently of Morality and Viennese Opera in the Age of working on the critical editions of Verdi’s Un Mozart and Beethoven (Routledge, 2017). His ballo in maschera and Mascagni’s Cavalleria research deals with Mozart’s operas and na- rusticana. tional politics in Prague and Vienna in the late eighteenth and nineteenth centuries. IN OUR NEXT ISSUE (SUMMER 2018) ARTICLES Roger Moseley: Chopin’s Aliases Michael Klein: Chopin Fragments: Narrative Voice in the First Ballade Katherine Fry: Music and Language in Early Nietzsche: Revisiting The Birth of Tragedy 252 19th-Century Music, vol. 41, no. 3, pp. 252–254. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2018 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, http://www.ucpress.edu/ journals.php?p=reprints. https://doi.org/10.1525/ncm.2018.41.3.252.

Journal

19th-Century Music – University of California Press

Published: Mar 1, 2018

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