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Contributors

Contributors INDEX Richard Leppert is Regents Professor, and Morse Robynn J. Stilwell (Georgtown University) is a Alumni Distinguished Teaching Professor, in musicologist whose research interests center the Department of Cultural Studies and Com- music and media. Publications include essays parative Literature at the University of Minne- on Beethoven and cinematic violence, musical sota, Minneapolis. His research is concentrated form in Jane Austen, rockabilly and “white on Western European and American music and trash,” figure skating, French film musicals, cultural history from the seventeenth century psychoanalytic film theory and music, and the to the present. His most recent book is Aes- boundaries between sound and music in the thetic Technologies of Modernity, Subjectiv- cinematic soundscape. Her current project is a ity, and Nature (Opera – Orchestra – Phono- historical and analytical study of audiovisual graph – Film), published by the University of modality in television. California Press (2015). Daneen Wardrop is the recipient of a National A musicologist and pianist, Elizabeth Morgan Endowment for the Arts Fellowship and the focuses her research on keyboard and chamber Robert H. Winner Award from the Poetry Soci- music of the late eighteenth and nineteenth ety of America. She has authored several books centuries, music and the body, virtuosity, and of literary history and poetry, including most music and gender. She has published articles in recently Civil War Nurse Narratives (Univer- 19th-Century Music, the Journal of the Society sity of Iowa Press) and Cyclorama for American Music, and in the Ashgate collec- (Fordham University Press). tion Crafting the Woman Professional in the Long Nineteenth Century. She is an assistant professor of music at Saint Joseph’s University. 19th-Century Music, vol. 40, no. 1, pp. 79–80. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2016 by the Regents of 79 the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, http://www.ucpress.edu/ journals.php?p=reprints. DOI: 10.1525/ncm.2016.40.1.79. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Contributors

Press, University of California
19th-Century Music , Volume 40 (1): 1 – Jul 1, 2016
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University of California Press
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© 2016 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.
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0148-2076
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1533-8606
DOI
10.1525/ncm.2016.40.1.79
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Abstract

INDEX Richard Leppert is Regents Professor, and Morse Robynn J. Stilwell (Georgtown University) is a Alumni Distinguished Teaching Professor, in musicologist whose research interests center the Department of Cultural Studies and Com- music and media. Publications include essays parative Literature at the University of Minne- on Beethoven and cinematic violence, musical sota, Minneapolis. His research is concentrated form in Jane Austen, rockabilly and “white on Western European and American music and trash,” figure skating, French film musicals, cultural history from the seventeenth century psychoanalytic film theory and music, and the to the present. His most recent book is Aes- boundaries between sound and music in the thetic Technologies of Modernity, Subjectiv- cinematic soundscape. Her current project is a ity, and Nature (Opera – Orchestra – Phono- historical and analytical study of audiovisual graph – Film), published by the University of modality in television. California Press (2015). Daneen Wardrop is the recipient of a National A musicologist and pianist, Elizabeth Morgan Endowment for the Arts Fellowship and the focuses her research on keyboard and chamber Robert H. Winner Award from the Poetry Soci- music of the late eighteenth and nineteenth ety of America. She has authored several books centuries, music and the body, virtuosity, and of literary history and poetry, including most music and gender. She has published articles in recently Civil War Nurse Narratives (Univer- 19th-Century Music, the Journal of the Society sity of Iowa Press) and Cyclorama for American Music, and in the Ashgate collec- (Fordham University Press). tion Crafting the Woman Professional in the Long Nineteenth Century. She is an assistant professor of music at Saint Joseph’s University. 19th-Century Music, vol. 40, no. 1, pp. 79–80. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2016 by the Regents of 79 the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, http://www.ucpress.edu/ journals.php?p=reprints. DOI: 10.1525/ncm.2016.40.1.79.

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19th-Century Music – University of California Press

Published: Jul 1, 2016

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