Access the full text.
Sign up today, get DeepDyve free for 14 days.
19 TH CENTURY MUSIC Did the Young Brahms Play Piano in Waterfront Bars? JAN SWAFFORD The story has been told for a hundred years: how in his early teens Johannes Brahms was forced by his familyâs poverty to play piano all night in sailorsâ dives called Animierlokale (roughly, âarousal pubsâ) on the Hamburg waterfront. There, the story goes, he was molested by the waitress/prostitutes in attendance and from the experience reaped a lifetime of rage, anguish, and misogyny. The boyâs pay for a nightâs work was a miserable âtwee Dahler un duhnâ: two thalers and all you can drink. Sometimes he could only make it home at dawn by staggering from tree to tree.1 The effects on his health were grave, although he recovered to enjoy a lifetime of good health. The effects of Karl Geiringer, Brahms: His Life and Work (New York, 1981â82), p. 20. Brahms personally related this story to his Hamburg friend Klaus Groth. The Vienna-born and -trained Geiringer was once librarian of the Gesellschaft der Musikfreunde, the hub of Viennese Brahmsians; he fully endorsed the Lokale story. the Lokale on his spirit, however, were devastating and indelible. Brahmsâs biographer Max Kalbeck painted a sentimental
19th-Century Music – University of California Press
Published: Apr 1, 2001
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.