Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

Directions to Contributors

Directions to Contributors with five key words selected at its end. Music examples may be submitted as either hard copies (xeroxes acceptable) or .pdfs; camera-ready art may be sent as black and white glossies, or in electronic files--.tiff, .pdf., or .jpeg. For quotations transcribed from foreign sources, authors are urged to specify in the typescript occurrences of the following characters: ß, É, À, OE, and oe. Prospective contributors should consult recent issues of 19th-Century Music or Writing About Music, by D. Kern Holoman (Berkeley and Los Angeles, 1988), for matters of style. In most cases, we follow the practices of The Chicago Manual of Style, 15th edn. (Chicago: University of Chicago Press, 2003). IN OUR NEXT ISSUE (FALL 2008) ARTICLES Benedict Taylor: Musical History and Self-Consciousness in Mendelssohn's Octet, Op. 20 Adrian Daub: Mother Mime: Siegfried, Act I, Scene I: The Fairy Tale and the Metaphysics of Sexual Difference Steven Rings: Mystères limpides: Time and Transformation in Debussy's Des pas sur la neige http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Directions to Contributors

19th-Century Music , Volume 32 (1) – Jul 1, 2008
Download PDF
1 page

Loading next page...
 
/lp/university-of-california-press/directions-to-contributors-Cto8pr8ypH
Publisher
University of California Press
Copyright
Copyright © by the University of California Press
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2008.32.1.130
Publisher site
See Article on Publisher Site

Abstract

with five key words selected at its end. Music examples may be submitted as either hard copies (xeroxes acceptable) or .pdfs; camera-ready art may be sent as black and white glossies, or in electronic files--.tiff, .pdf., or .jpeg. For quotations transcribed from foreign sources, authors are urged to specify in the typescript occurrences of the following characters: ß, É, À, OE, and oe. Prospective contributors should consult recent issues of 19th-Century Music or Writing About Music, by D. Kern Holoman (Berkeley and Los Angeles, 1988), for matters of style. In most cases, we follow the practices of The Chicago Manual of Style, 15th edn. (Chicago: University of Chicago Press, 2003). IN OUR NEXT ISSUE (FALL 2008) ARTICLES Benedict Taylor: Musical History and Self-Consciousness in Mendelssohn's Octet, Op. 20 Adrian Daub: Mother Mime: Siegfried, Act I, Scene I: The Fairy Tale and the Metaphysics of Sexual Difference Steven Rings: Mystères limpides: Time and Transformation in Debussy's Des pas sur la neige

Journal

19th-Century Music – University of California Press

Published: Jul 1, 2008

There are no references for this article.