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Index COMMENT & CHRONICLE INDEX FOR VOLUME XXIX (2005­06) Adorno, Theodor W.--"Schubert," trans. with intro. by Beate Perrey and Jonathan Dunsby Agawu, Kofi--What Adorno Makes Possible for Music Analysis Auner, Joseph--Composing on Stage: Schoenberg and the Creative Process as Public Performance Brittan, Francesca--Berlioz and the Pathological Fantastic: Melancholy, Monomania, and Romantic Autobiography Buch, Esteban--Adorno's "Schubert": From the Critique of the Garden Gnome to the Defense of Atonalism Burnham, Scott--Landscape as Music, Landscape as Truth: Schubert and the Burden of Repetition Comment & Chronicle Form, and Dramatic Meaning Knapp, Raymond--"Selbst dann bin ich die Welt": On the Subjective-Musical Basis of Wagner's Gesamtkunstwelt Knittel, K. M.--"Polemik im Concertsaal": Mahler, Beethoven, and the Viennese Critics Leppert, Richard--On Reading Adorno Hearing Schubert Mikusi, Balázs--Mendelssohn's "Scottish" Tonality? Minor, Ryan--Occasions and Nations in Brahms's Fest- und Gedenksprüche Perrey, Beate--Exposed: Adorno and Schubert in 1928 Review 94, 208, 322 Cook, Nicholas and Pople, Anthony (eds.), The Cambridge History of Twentieth-Century Music (Taruskin) Samson, Jim (ed.), The Cambridge History of Nineteenth-Century Music (Taruskin) Dunsby, Jonathan--Adorno's Image of Schubert's Wanderer Fantasy Multiplied by Ten Kahan, Sylvia--"Rien de la tonalité usuelle": Edmond de Polignac and the Octatonic Scale in Nineteenth-Century France Kinderman, William--The Third-Act Prelude of Wagner's Parsifal: Genesis, Rothfarb, Lee A.--August Halm on Body and Spirit in Music Taruskin, Richard--see Review http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

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19th-Century Music , Volume 29 (3) – Apr 1, 2006
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Publisher
University of California Press
Copyright
Copyright © by the University of California Press
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2006.29.3.323
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Abstract

COMMENT & CHRONICLE INDEX FOR VOLUME XXIX (2005­06) Adorno, Theodor W.--"Schubert," trans. with intro. by Beate Perrey and Jonathan Dunsby Agawu, Kofi--What Adorno Makes Possible for Music Analysis Auner, Joseph--Composing on Stage: Schoenberg and the Creative Process as Public Performance Brittan, Francesca--Berlioz and the Pathological Fantastic: Melancholy, Monomania, and Romantic Autobiography Buch, Esteban--Adorno's "Schubert": From the Critique of the Garden Gnome to the Defense of Atonalism Burnham, Scott--Landscape as Music, Landscape as Truth: Schubert and the Burden of Repetition Comment & Chronicle Form, and Dramatic Meaning Knapp, Raymond--"Selbst dann bin ich die Welt": On the Subjective-Musical Basis of Wagner's Gesamtkunstwelt Knittel, K. M.--"Polemik im Concertsaal": Mahler, Beethoven, and the Viennese Critics Leppert, Richard--On Reading Adorno Hearing Schubert Mikusi, Balázs--Mendelssohn's "Scottish" Tonality? Minor, Ryan--Occasions and Nations in Brahms's Fest- und Gedenksprüche Perrey, Beate--Exposed: Adorno and Schubert in 1928 Review 94, 208, 322 Cook, Nicholas and Pople, Anthony (eds.), The Cambridge History of Twentieth-Century Music (Taruskin) Samson, Jim (ed.), The Cambridge History of Nineteenth-Century Music (Taruskin) Dunsby, Jonathan--Adorno's Image of Schubert's Wanderer Fantasy Multiplied by Ten Kahan, Sylvia--"Rien de la tonalité usuelle": Edmond de Polignac and the Octatonic Scale in Nineteenth-Century France Kinderman, William--The Third-Act Prelude of Wagner's Parsifal: Genesis, Rothfarb, Lee A.--August Halm on Body and Spirit in Music Taruskin, Richard--see Review

Journal

19th-Century Music – University of California Press

Published: Apr 1, 2006

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