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Index for Volume 43 (2019–20)

Index for Volume 43 (2019–20) Braguinski, Nikita—“428 Millions of Quadrilles Pyle, Marcus R.—The Rhetoric of Seduction; for 5s. 6d.”:JohnClinton’s Combinatorial or Materiality under Erasure 194 Music Machine 86 Schmalfeldt, Janet—From Literary Fiction to Contributors 61, 141, 209 Music: Schumann and the Unreliable Crowe, Robert—“He was unable to set aside Narrative 170 the effeminate, and so was forgotten”: Trippett, David—Introduction: Ideas and Masculinity, Its Fears, and the Uses of Matter 63 Falsetto in the Early Nineteenth Century 17 Trippett, David—Sound as Hermeneutic, or Fine, Abigail—Beethoven’s Mask and the Helmholtz and the Quest for Objective Physiognomy of Late Style 143 Perception 99 Kursell, Julia—From Tone to Tune: Carl Weitz, Shaena—Propaganda and Reception in Stumpf and the Violin 121 Nineteenth-Century Music Criticism: Melamed, Daniel R.—How Did J. S. Bach’s Maurice Schlesinger, Henri Herz, and the “Aus Liebe will mein Heiland sterben,” Gazette musicale 36 BWV 244, No. 49, Get to Be So Slow? 3 Pesic, Peter—Music, Melancholia, and Mania: Gaetano Brunetti’s Obsessional Symphony 67 19th Century Music, vol. 43, no. 3, pp. 210–211. ISSN: 0148-2076, electronic ISSN: 1533-8606 © 2020 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, https://www.ucpress.edu/ journals/reprints-permissions. https://doi.org/10.1525/ncm.2020.43.3.210. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Index for Volume 43 (2019–20)

19th-Century Music , Volume 43 (3): 1 – Mar 1, 2020
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Publisher
University of California Press
Copyright
© 2020 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, https://www.ucpress.edu/journals/reprints-permissions.
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0148-2076
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1533-8606
DOI
10.1525/ncm.2020.43.3.210
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Abstract

Braguinski, Nikita—“428 Millions of Quadrilles Pyle, Marcus R.—The Rhetoric of Seduction; for 5s. 6d.”:JohnClinton’s Combinatorial or Materiality under Erasure 194 Music Machine 86 Schmalfeldt, Janet—From Literary Fiction to Contributors 61, 141, 209 Music: Schumann and the Unreliable Crowe, Robert—“He was unable to set aside Narrative 170 the effeminate, and so was forgotten”: Trippett, David—Introduction: Ideas and Masculinity, Its Fears, and the Uses of Matter 63 Falsetto in the Early Nineteenth Century 17 Trippett, David—Sound as Hermeneutic, or Fine, Abigail—Beethoven’s Mask and the Helmholtz and the Quest for Objective Physiognomy of Late Style 143 Perception 99 Kursell, Julia—From Tone to Tune: Carl Weitz, Shaena—Propaganda and Reception in Stumpf and the Violin 121 Nineteenth-Century Music Criticism: Melamed, Daniel R.—How Did J. S. Bach’s Maurice Schlesinger, Henri Herz, and the “Aus Liebe will mein Heiland sterben,” Gazette musicale 36 BWV 244, No. 49, Get to Be So Slow? 3 Pesic, Peter—Music, Melancholia, and Mania: Gaetano Brunetti’s Obsessional Symphony 67 19th Century Music, vol. 43, no. 3, pp. 210–211. ISSN: 0148-2076, electronic ISSN: 1533-8606 © 2020 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, https://www.ucpress.edu/ journals/reprints-permissions. https://doi.org/10.1525/ncm.2020.43.3.210.

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19th-Century Music – University of California Press

Published: Mar 1, 2020

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