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Table of Contents ROBERT S. WINTER Whose Schubert? nineteenth-century music fall 2000 volume xxiv no. 2 edited by James Hepokoski and Lawrence Kramer Volume XXIX, number 3 Spring, 2006 FRANCESCA BRITTAN Berlioz and the Pathological Fantastic: Melancholy, Monomania, and Romantic Autobiography 211 Mendelssohn's "Scottish" Tonality? Occasions and Nations in Brahms's Fest- und Gedenksprüche 261 "Polemik im Concertsaal": Mahler, Beethoven, and the Viennese Critics 289 Editors 323 324 322 BALÁZS MIKUSI RYAN MINOR fall 2000 volume xxiv number 2 K. M. KNITTEL COMMENT & CHRONICLE INDEX DIRECTIONS TO CONTRIBUTORS http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Table of Contents

19th-Century Music , Volume 29 (3) – Apr 1, 2006
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Publisher
University of California Press
Copyright
Copyright © by the University of California Press
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2006.29.3.toc
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Abstract

ROBERT S. WINTER Whose Schubert? nineteenth-century music fall 2000 volume xxiv no. 2 edited by James Hepokoski and Lawrence Kramer Volume XXIX, number 3 Spring, 2006 FRANCESCA BRITTAN Berlioz and the Pathological Fantastic: Melancholy, Monomania, and Romantic Autobiography 211 Mendelssohn's "Scottish" Tonality? Occasions and Nations in Brahms's Fest- und Gedenksprüche 261 "Polemik im Concertsaal": Mahler, Beethoven, and the Viennese Critics 289 Editors 323 324 322 BALÁZS MIKUSI RYAN MINOR fall 2000 volume xxiv number 2 K. M. KNITTEL COMMENT & CHRONICLE INDEX DIRECTIONS TO CONTRIBUTORS

Journal

19th-Century Music – University of California Press

Published: Apr 1, 2006

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