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Addendum to Modern Chinese Drama in English: A Selective Bibliography

Addendum to Modern Chinese Drama in English: A Selective Bibliography Siyuan Liu and Kevin J. Wetmore Jr. This addendum adds works that should have been cited in the bibliography published in Asian Theatre Journal 26, no. 2 (2009): 320­351. I. Listing by Playwright Yang Jiang (Yang Chiang, 1911­) Forging the Truth (Nongzhen chengjia, 1944). Translated by Amy D. Dooling. In Writing Women in Modern China: The Revolutionary Years, 1936­ 1976, edited by Amy D. Dooling. New York: Columbia University Press, 2005. [R] III. Scholarly Works in English about Modern Chinese Drama Huang, Alexander C. Y. Chinese Shakespeares: Two Centuries of Cultural Exchange. New York: Columbia University Press, 2009. -. "Gao Xingjian, Exile, and Intercultural Theatre." Hong Kong Drama Review 7 (2007): 507­513. -. "Impersonation, Autobiography, and Cross-Cultural Adaptation: Lee Kuo-Hsiu's Shamlet." Asian Theatre Journal 22, no. 1 (2005): 122­137. -. "`No World without Verona Walls'? Shakespeare in the Provincial Cultural Marketplace." In Re-Playing Shakespeare in Asia, edited by Poonam Trivedi and Minami Ryuta, 251­268. London: Routledge, 2009. -. "Pastiche and Identity in Taiwan's Postmodern Theatre: Stan Lai and Asian Theatre Journal, vol. 28, no. 2 (Fall 2011). © 2011 by University of Hawai`i Press. All rights reserved. Liu and Wetmore, Jr. Buddhism." In Taiwan Literature and History, edited http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Addendum to Modern Chinese Drama in English: A Selective Bibliography

Liu, Siyuan.
Asian Theatre Journal , Volume 28 (2) – Sep 9, 2011
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Abstract

Siyuan Liu and Kevin J. Wetmore Jr. This addendum adds works that should have been cited in the bibliography published in Asian Theatre Journal 26, no. 2 (2009): 320­351. I. Listing by Playwright Yang Jiang (Yang Chiang, 1911­) Forging the Truth (Nongzhen chengjia, 1944). Translated by Amy D. Dooling. In Writing Women in Modern China: The Revolutionary Years, 1936­ 1976, edited by Amy D. Dooling. New York: Columbia University Press, 2005. [R] III. Scholarly Works in English about Modern Chinese Drama Huang, Alexander C. Y. Chinese Shakespeares: Two Centuries of Cultural Exchange. New York: Columbia University Press, 2009. -. "Gao Xingjian, Exile, and Intercultural Theatre." Hong Kong Drama Review 7 (2007): 507­513. -. "Impersonation, Autobiography, and Cross-Cultural Adaptation: Lee Kuo-Hsiu's Shamlet." Asian Theatre Journal 22, no. 1 (2005): 122­137. -. "`No World without Verona Walls'? Shakespeare in the Provincial Cultural Marketplace." In Re-Playing Shakespeare in Asia, edited by Poonam Trivedi and Minami Ryuta, 251­268. London: Routledge, 2009. -. "Pastiche and Identity in Taiwan's Postmodern Theatre: Stan Lai and Asian Theatre Journal, vol. 28, no. 2 (Fall 2011). © 2011 by University of Hawai`i Press. All rights reserved. Liu and Wetmore, Jr. Buddhism." In Taiwan Literature and History, edited

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Asian Theatre Journal – University of Hawai'I Press

Published: Sep 9, 2011

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