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Ali Nassirian (b. 1935), now a celebrity in Iranian cinema, was preoccupied, during the 1950s to the 1970s, with the idea of creating a theatre, and supplying it with a repertoire, which would be rooted in Iranian folklore and indigenous theatrical forms. His oeuvre includes thirteen plays, most of which draw, partly or extensively, on Iranian popular improvisatory forms. This article discusses the context, possibilities, and limitations of Nassirianâs one-man crusade to launch a ânationalâ theatre based on indigenous roots, especially at a historical moment when Iranâat the brink of entering a new socioeconomic phase which we may call the âSouthâ social formationâwas forced to adopt a hurried, hence âlopsided,â version of North Atlantic modernity in the form of statist modernization programs.
Asian Theatre Journal – University of Hawai'I Press
Published: Feb 14, 2013
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