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Aristotle's Poetics, Bharatamuni's Natyasastra, and Zeami's Treatises: Theory as Discourse

Aristotle's Poetics, Bharatamuni's Natyasastra, and Zeami's Treatises: Theory as Discourse Scholars have often pursued comparative studies of major traditions of theatrical theory (Greek, Sanskrit, and no), and the theories themselves are often used as windows on vanished modes of performance. This article, however, considers the theoretical treatises as discourses that advance claims about the status of theatre and establish value through the creation of standards for achievement. The author situates treatises on the art of theatre in the context of philosophical debate (Greek), religious and ethical writing (Sanskrit), and courtly aesthetics (Japanese) and examines the question of discursive communities and those to whom theatrical theory is addressed. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Aristotle's Poetics, Bharatamuni's Natyasastra, and Zeami's Treatises: Theory as Discourse

Asian Theatre Journal , Volume 17 (2) – Sep 1, 2000

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2000 The University of Hawai'i Press.
ISSN
1527-2109
Publisher site
See Article on Publisher Site

Abstract

Scholars have often pursued comparative studies of major traditions of theatrical theory (Greek, Sanskrit, and no), and the theories themselves are often used as windows on vanished modes of performance. This article, however, considers the theoretical treatises as discourses that advance claims about the status of theatre and establish value through the creation of standards for achievement. The author situates treatises on the art of theatre in the context of philosophical debate (Greek), religious and ethical writing (Sanskrit), and courtly aesthetics (Japanese) and examines the question of discursive communities and those to whom theatrical theory is addressed.

Journal

Asian Theatre JournalUniversity of Hawai'I Press

Published: Sep 1, 2000

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