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Color Insert

Color Insert Plate 1. Rangda-Barong performance with I Ketut Muada (on the left) holding the rangda figure, I Wayan Dibia (middle) in the role of the minister, and I Putu Adi Darmadi (on the right) inside the barong body puppet. Plate 2. Yoke thay performed by Mandalay Marionettes Theatre under the direction of Kyaw Myo Ko. Plate 3. In the interactive performance installation Drawing Your Attention, Liesje van den Berk draws the shadows of the spectators while they are moved by the rhythm and sound- scapes of the guitar of Jeen Rabs. Plate 4. Khamphiphaksa (The Judgment), written and directed by Punnasak Sukee based on the novel by Chart Korbjitt for the Bangkok University Theatre Company. In this scene, Fak, the principal character, is dreaming about his father’s funeral. His father is seen dancing hap- pily on a coffin to celebrate his own corpse’s cremation. The scene turns nightmarish when Fak discovers that the cremation is actually for himself. Plate 5. Kabong Lao, the Laos object theatre company, in performance. Plate 6. In Kathy Foley’s Birth of Wayang, Balinese shadow puppets (wayang parwa; the leather puppets are [left to right] Yudistira, Arjuna, Bima, Nakula, and Sadewa) represented the Hindu Temples on http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Color Insert

Asian Theatre Journal , Volume 31 (2) – Sep 23, 2014
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Publisher
University of Hawai'I Press
Copyright
Copyright © 2008 The University of Hawai'i Press.
ISSN
1527-2109

Abstract

Plate 1. Rangda-Barong performance with I Ketut Muada (on the left) holding the rangda figure, I Wayan Dibia (middle) in the role of the minister, and I Putu Adi Darmadi (on the right) inside the barong body puppet. Plate 2. Yoke thay performed by Mandalay Marionettes Theatre under the direction of Kyaw Myo Ko. Plate 3. In the interactive performance installation Drawing Your Attention, Liesje van den Berk draws the shadows of the spectators while they are moved by the rhythm and sound- scapes of the guitar of Jeen Rabs. Plate 4. Khamphiphaksa (The Judgment), written and directed by Punnasak Sukee based on the novel by Chart Korbjitt for the Bangkok University Theatre Company. In this scene, Fak, the principal character, is dreaming about his father’s funeral. His father is seen dancing hap- pily on a coffin to celebrate his own corpse’s cremation. The scene turns nightmarish when Fak discovers that the cremation is actually for himself. Plate 5. Kabong Lao, the Laos object theatre company, in performance. Plate 6. In Kathy Foley’s Birth of Wayang, Balinese shadow puppets (wayang parwa; the leather puppets are [left to right] Yudistira, Arjuna, Bima, Nakula, and Sadewa) represented the Hindu Temples on

Journal

Asian Theatre Journal – University of Hawai'I Press

Published: Sep 23, 2014

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