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Daniel S. P. Yang

Daniel S. P. Yang Daniel S. P. Yang trained in amateur <i>jingju</i> (Beijing opera) in Taiwan in the 1950s and studied in the Asian theatre graduate programs at the University of Hawai’i and the University of Wisconsin–Madison in the 1960s. His early career was marked by <i>jingju</i> productions and scholarly insight on post-1949 Chinese theatre, particularly revolutionary model plays. During his tenure at the University of Colorado–Boulder and as producing artistic director of the Colorado Shakespeare Festival, he thrived as a successful director and producer of Shakespeare and modern Western classics. Since the early 1980s, he has successfully brought Western classics and contemporary hits to the thriving urban theatre scene in China, Hong Kong, and Taiwan. As such, his long career represents the contribution of U.S.-educated artist-scholars from Asia to both Asian theatre studies in the West and the theatrical development of their native land. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Daniel S. P. Yang

Liu, Siyuan,November 7-
Asian Theatre Journal , Volume 30 (2) – Oct 14, 2013
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Publisher
University of Hawai'I Press
Copyright
Copyright © 2008 The University of Hawai'i Press.
ISSN
1527-2109

Abstract

Daniel S. P. Yang trained in amateur <i>jingju</i> (Beijing opera) in Taiwan in the 1950s and studied in the Asian theatre graduate programs at the University of Hawai’i and the University of Wisconsin–Madison in the 1960s. His early career was marked by <i>jingju</i> productions and scholarly insight on post-1949 Chinese theatre, particularly revolutionary model plays. During his tenure at the University of Colorado–Boulder and as producing artistic director of the Colorado Shakespeare Festival, he thrived as a successful director and producer of Shakespeare and modern Western classics. Since the early 1980s, he has successfully brought Western classics and contemporary hits to the thriving urban theatre scene in China, Hong Kong, and Taiwan. As such, his long career represents the contribution of U.S.-educated artist-scholars from Asia to both Asian theatre studies in the West and the theatrical development of their native land.

Journal

Asian Theatre Journal – University of Hawai'I Press

Published: Oct 14, 2013

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