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Dynamics of Jaipongan on West Java from 1980 to 2010

Dynamics of Jaipongan on West Java from 1980 to 2010 <p>Jaipongan <i>is a style of Sundanese dance impacted by the creativity of the Bandung artist Gugum Gumbira, who in the 1970s developed</i> ketuk tilu, <i>a genre traditionally associated with female courtesan singers. He evolved the genre into a performance-oriented stage dance, calling it</i> jaipongan. <i>The form was criticized by some, including government officials, as exploiting the female body. However</i>, jaipongan<i>&apos;s mass popularity saved the folk form from extinction, and</i> jaipongan <i>became a strong influence on</i> ketuk tilu <i>itself</i>.</p> http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Dynamics of Jaipongan on West Java from 1980 to 2010

Asian Theatre Journal , Volume 34 (2) – Aug 14, 2017

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2008 The University of Hawai'i Press.
ISSN
1527-2109

Abstract

<p>Jaipongan <i>is a style of Sundanese dance impacted by the creativity of the Bandung artist Gugum Gumbira, who in the 1970s developed</i> ketuk tilu, <i>a genre traditionally associated with female courtesan singers. He evolved the genre into a performance-oriented stage dance, calling it</i> jaipongan. <i>The form was criticized by some, including government officials, as exploiting the female body. However</i>, jaipongan<i>&apos;s mass popularity saved the folk form from extinction, and</i> jaipongan <i>became a strong influence on</i> ketuk tilu <i>itself</i>.</p>

Journal

Asian Theatre JournalUniversity of Hawai'I Press

Published: Aug 14, 2017

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