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Founders of the Field II: Introduction

Founders of the Field II: Introduction symposium: founders of the field ii Edited by Siyuan Liu and David Jortner Siyuan Liu is an assistant professor of theatre at the University of British Columbia. He has published research articles on twentieth-century Chinese and Japanese theatre in Theatre Journal, TDR, Asian Theatre Journal, and Text & Presentation. David Jortner is an assistant professor at Baylor University. He is co-editor of Modern Japanese Theatre and Performance (with Keiko McDonald and Kevin Wetmore, Rowman and Littlefield, 2007) and has essays in Inexorable Modernity: Japan's Grappling with Modernity in the Arts (Hiroshi Nara, ed., Lexington Books, 2007) and Revenge Drama in European Renaissance and Japanese Theatre (Kevin Wetmore Jr., ed., Palgrave Macmillan, 2008). This is the second Founders of the Field series, following the first group of articles in the Fall 2011 issue of Asian Theatre Journal. In the first series, we traced the pioneering contributions by fifteen (mostly) American scholars of Japanese, Chinese, Southeast and South Asian theatre, plus the history of Association for Asian Performance since 1965. In this second series, we celebrate six scholars who have been equally instrumental to the rise of our field: Richard Schechner, Farley Richmond, Daniel S. P. Yang, I Made Bandem, http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Founders of the Field II: Introduction

Liu, Siyuan,November 7-
Asian Theatre Journal , Volume 30 (2) – Oct 14, 2013
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Publisher
University of Hawai'I Press
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Copyright © 2008 The University of Hawai'i Press.
ISSN
1527-2109
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Abstract

symposium: founders of the field ii Edited by Siyuan Liu and David Jortner Siyuan Liu is an assistant professor of theatre at the University of British Columbia. He has published research articles on twentieth-century Chinese and Japanese theatre in Theatre Journal, TDR, Asian Theatre Journal, and Text & Presentation. David Jortner is an assistant professor at Baylor University. He is co-editor of Modern Japanese Theatre and Performance (with Keiko McDonald and Kevin Wetmore, Rowman and Littlefield, 2007) and has essays in Inexorable Modernity: Japan's Grappling with Modernity in the Arts (Hiroshi Nara, ed., Lexington Books, 2007) and Revenge Drama in European Renaissance and Japanese Theatre (Kevin Wetmore Jr., ed., Palgrave Macmillan, 2008). This is the second Founders of the Field series, following the first group of articles in the Fall 2011 issue of Asian Theatre Journal. In the first series, we traced the pioneering contributions by fifteen (mostly) American scholars of Japanese, Chinese, Southeast and South Asian theatre, plus the history of Association for Asian Performance since 1965. In this second series, we celebrate six scholars who have been equally instrumental to the rise of our field: Richard Schechner, Farley Richmond, Daniel S. P. Yang, I Made Bandem,

Journal

Asian Theatre Journal – University of Hawai'I Press

Published: Oct 14, 2013

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