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I invite readers to look at the names and affiliations of the authors of this issue and note that our contributors (many of whom are Asso- ciation for Asian Performance members) are all over the globe. We are Japanese (Yoshiko Fukushima) or Chinese (Dongshin Chang) who teach in the United States, Indians who teach in the United King- dom (Arya Madhavan), Italians who have studied in China (Antonio Leggieri), Chinese teaching in Australia (Xiaohuan Zhao), Taiwanese (Yi-Hsin Hsu and Iris Tuan), Filipino (Sir Anril Tiatco), Indonesian (Een Her diani), Greek (Avra Sidiropoulu), or Chinese (Qinghuan Huang) scholars teaching in home countries. We are Americans with teaching experience in Japan (Ruth Forsythe and Jonah Salz) and Taiwan (Catherine Diamond), Portuguese who have studied in India (Filipe Pereira), and Americans studying Indonesian arts (Kristina Tan- nenbaum). Though ATJ is published in the United States and a good number of the authors may have been educated in the United States or Europe, we are a wide, transnational group. We are a reality of the world today. At a recent conference on Southeast Asian Shadow Puppetry at SOAS, which was organized by our ATJ Southeast Asia area editor, Matthew Cohen, I found there
Asian Theatre Journal – University of Hawai'I Press
Published: Aug 14, 2017
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