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Identity Politics in Okinawan Kumiodori: Mekarushi and Hana no Maboroshi (Vision of Flowers)

Identity Politics in Okinawan Kumiodori: Mekarushi and Hana no Maboroshi (Vision of Flowers) <p>Abstract:</p><p><i>This article compares two Okinawan</i> kumiodori <i>plays</i>, Mekarushi <i>(Master Mekarushi), written in 1719, and</i> Hana no Maboroshi <i>(Vision of Flowers), written in 2007, to explore how the genre has provided an effective venue for exploring identity politics throughout Okinawan history</i>.</p> http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Identity Politics in Okinawan Kumiodori: Mekarushi and Hana no Maboroshi (Vision of Flowers)

Forsythe, Ruth
Asian Theatre Journal , Volume 34 (2) – Aug 14, 2017
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Publisher
University of Hawai'I Press
Copyright
Copyright © 2008 The University of Hawai'i Press.
ISSN
1527-2109

Abstract

<p>Abstract:</p><p><i>This article compares two Okinawan</i> kumiodori <i>plays</i>, Mekarushi <i>(Master Mekarushi), written in 1719, and</i> Hana no Maboroshi <i>(Vision of Flowers), written in 2007, to explore how the genre has provided an effective venue for exploring identity politics throughout Okinawan history</i>.</p>

Journal

Asian Theatre Journal – University of Hawai'I Press

Published: Aug 14, 2017

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