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Identity Politics in Okinawan Kumiodori : Mekarushi and Hana no Maboroshi (Vision of Flowers)

Identity Politics in Okinawan Kumiodori : Mekarushi and Hana no Maboroshi (Vision of Flowers) Abstract: This article compares two Okinawan kumiodori plays , Mekarushi (Master Mekarushi), written in 1719, and Hana no Maboroshi (Vision of Flowers), written in 2007, to explore how the genre has provided an effective venue for exploring identity politics throughout Okinawan history . http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Identity Politics in Okinawan Kumiodori : Mekarushi and Hana no Maboroshi (Vision of Flowers)

Asian Theatre Journal , Volume 34 (2) – Aug 14, 2017

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2008 The University of Hawai'i Press.
ISSN
1527-2109
Publisher site
See Article on Publisher Site

Abstract

Abstract: This article compares two Okinawan kumiodori plays , Mekarushi (Master Mekarushi), written in 1719, and Hana no Maboroshi (Vision of Flowers), written in 2007, to explore how the genre has provided an effective venue for exploring identity politics throughout Okinawan history .

Journal

Asian Theatre JournalUniversity of Hawai'I Press

Published: Aug 14, 2017

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