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Isan Contemporary Performance: Embodied Isan Tone in Thai Contemporary Performance Making

Isan Contemporary Performance: Embodied Isan Tone in Thai Contemporary Performance Making <p>Abstract:</p><p>As an identity, Isan (the northeast region of Thailand) is a problematic political construct that reflects ambiguous self-understanding and self-representation. Isan has long been challenged by Thai politics which cast the image of the Isan people as lower social status. However, the richness of Isan expression through Isan language, music, and cultures has always flourished. The research project “Embodied Isan Tone” aims to explore Isan language, Isan identity, and Isan persona that were embodied by young Isan actors and performers working in the three performance-making formats: text-based theatre, a devised performance, and a performance of the self. Through an intracultural perspective of acting, the project intends to inject an Isan-ness into contemporary theatre making and performance practice in Thailand, and to celebrate and raise awareness of contemporary Isan. The research method involves observing, interviewing, conducting group discussion with Isan actors in the creative process. As Isan contemporary performances, the three works, <i>Bhai</i> (Bus Stop), Home <i>Heuan Hao</i> (Our Home), and <i>Bheen</i> (Evert), revealed that Isan language provides a remarkable sound expression, fixed impressions of Isan identity are met with resistance, and Isan persona deeply connects with Isan community. This project has unraveled personal, political, and cultural tensions among Isan actors yet embraced them as creative resources for intracultural acting.</p> http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Isan Contemporary Performance: Embodied Isan Tone in Thai Contemporary Performance Making

Kittikong, Tanatchaporn
Asian Theatre Journal , Volume 39 (1) – Mar 16, 2022
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24 pages

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Publisher
University of Hawai'I Press
Copyright
Copyright © The University of Hawai'i Press.
ISSN
1527-2109

Abstract

<p>Abstract:</p><p>As an identity, Isan (the northeast region of Thailand) is a problematic political construct that reflects ambiguous self-understanding and self-representation. Isan has long been challenged by Thai politics which cast the image of the Isan people as lower social status. However, the richness of Isan expression through Isan language, music, and cultures has always flourished. The research project “Embodied Isan Tone” aims to explore Isan language, Isan identity, and Isan persona that were embodied by young Isan actors and performers working in the three performance-making formats: text-based theatre, a devised performance, and a performance of the self. Through an intracultural perspective of acting, the project intends to inject an Isan-ness into contemporary theatre making and performance practice in Thailand, and to celebrate and raise awareness of contemporary Isan. The research method involves observing, interviewing, conducting group discussion with Isan actors in the creative process. As Isan contemporary performances, the three works, <i>Bhai</i> (Bus Stop), Home <i>Heuan Hao</i> (Our Home), and <i>Bheen</i> (Evert), revealed that Isan language provides a remarkable sound expression, fixed impressions of Isan identity are met with resistance, and Isan persona deeply connects with Isan community. This project has unraveled personal, political, and cultural tensions among Isan actors yet embraced them as creative resources for intracultural acting.</p>

Journal

Asian Theatre Journal – University of Hawai'I Press

Published: Mar 16, 2022

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