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Lions, Witches, and Happy Old Men: Some Parallels between Balinese and Japanese Ritual Masks

Lions, Witches, and Happy Old Men: Some Parallels between Balinese and Japanese Ritual Masks <p>Margaret Coldiron is an actress, teacher, and theatre director. She received her PhD from Royal Holloway, University of London, and is a specialist in actor training and performance ethnography. She is the author of Trance and Transformation of the Actor in Japanese Noh and Balinese Masked Dance-Drama (2004). </p> http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Lions, Witches, and Happy Old Men: Some Parallels between Balinese and Japanese Ritual Masks

Asian Theatre Journal , Volume 22 (2) – Oct 31, 2005

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2005 The University of Hawai'i Press.
ISSN
1527-2109

Abstract

<p>Margaret Coldiron is an actress, teacher, and theatre director. She received her PhD from Royal Holloway, University of London, and is a specialist in actor training and performance ethnography. She is the author of Trance and Transformation of the Actor in Japanese Noh and Balinese Masked Dance-Drama (2004). </p>

Journal

Asian Theatre JournalUniversity of Hawai'I Press

Published: Oct 31, 2005

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