Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
This article explores representations of the Japanese occupation of Indonesia in two examples of Japanese popular theatre. The first example is from a Takarazuka production that pre-dates the occupation by less than a year and thus aims to quell public anxieties about Japanâs impending colonial aggression. The second occurs sixty years later in a play that tells the story of a doomed romance between a Japanese soldier and an Indonesian dancer. The following essay explores ways in which each production uses Indonesian cultural imagery within a larger framework that presents pan-Asian identity as an aspect of Japanese nationalist ideology.
Asian Theatre Journal – University of Hawai'I Press
Published: Feb 14, 2013
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.