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Remembering Zeami: The Kanze School and Its Patriarch

Remembering Zeami: The Kanze School and Its Patriarch <p>This article examines the history of the reception and popularization of the achievements of no&apos;s founder, Zeami Motokiyo, as represented by three important actors of the Kanze school: Kanze Motoakira (d. 1774), Kanze Sakon (d. 1939), and Kanze Hisao (d. 1978). Eric Rath describes how memories of Zeami helped these three actors to shape the Kanze school&apos;s performance practices and institutions. He reveals, too, how debate over no&apos;s direction and essence has come to be framed in respect to the person considered to be its patriarch.</p> http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Remembering Zeami: The Kanze School and Its Patriarch

Rath, Eric C., --
Asian Theatre Journal , Volume 20 (2) – Jul 24, 2003
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18 pages

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2003 The University of Hawai'i Press.
ISSN
1527-2109

Abstract

<p>This article examines the history of the reception and popularization of the achievements of no&apos;s founder, Zeami Motokiyo, as represented by three important actors of the Kanze school: Kanze Motoakira (d. 1774), Kanze Sakon (d. 1939), and Kanze Hisao (d. 1978). Eric Rath describes how memories of Zeami helped these three actors to shape the Kanze school&apos;s performance practices and institutions. He reveals, too, how debate over no&apos;s direction and essence has come to be framed in respect to the person considered to be its patriarch.</p>

Journal

Asian Theatre Journal – University of Hawai'I Press

Published: Jul 24, 2003

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