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This report notes the papers and performances on Malaysian, Thai, and Indonesian <i>mak yong</i> presented in the 2011 conference. It argues that historically Kelantan, Malaysia, and Pattani, Thailand, understandings of the form are shared. National borders inset in the colonial period and cultural politics of contemporary Southeast Asia have altered and divided the form.
Asian Theatre Journal – University of Hawai'I Press
Published: Feb 14, 2013
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