Access the full text.
Sign up today, get DeepDyve free for 14 days.
<p>Abstract:</p><p>The Mulian story is one of the oldest and most popular religious <i>xiqu</i> ("Chinese opera") narratives. Its overt Buddhist theme and ritual purpose caused the story to fall into disfavor after the establishment of the People's Republic of China, to reemerge gradually over the last three decades as the animus against tradition is replaced by its valorization as Intangible Cultural Heritage. The Mulian narrative has recently been the subject of a large-scale revival by the prominent state-owned company in Putian, Fujian Province. With that production as a case study, this article argues that state-led theatre reform is both reviving and altering the practices of "traditional" performance.</p>
Asian Theatre Journal – University of Hawai'I Press
Published: Mar 13, 2019
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.