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<p> The bombing of the Sari Club on Legian Street, Kuta, Bali, on 12 October 2002 disrupted the natural balance that is sought for in Balinese religion. This article shows how a technically innovative shadow puppet performance that responds to the disaster is informed by the Balinese conception of the natural balance of human life governed by tri hita karana (three elements of harmony) and dasanama kerta (ten elements that cause harmonious prosperity). These ideas provide a context for healing through performance. </p>
Asian Theatre Journal – University of Hawai'I Press
Published: Feb 15, 2005
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