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Tibetan Folk Opera: Lhamo in Contemporary Cultural Politics

Tibetan Folk Opera: Lhamo in Contemporary Cultural Politics Lhamo, the popular folk opera of Tibet is a genre in which the contested politics of the Tibetan diaspora and the People's Republic of China are displayed. This essay notes the practice of the art by the Tibetan refugee community in India and beyond, where it evokes nostalgia for a lost existence and the struggle for a return to the Tibetan Buddhist homeland. Meanwhile the art has been redeveloped in the People's Republic of China in the wake of the Cultural Revolution and used to support Chinese claims to Tibet. Lhamo presents a case study of a particular art and how it can be articulated to different political and economic ends. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Tibetan Folk Opera: Lhamo in Contemporary Cultural Politics

Asian Theatre Journal , Volume 23 (1) – Apr 12, 2006

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2006 The University of Hawai'i Press.
ISSN
1527-2109
Publisher site
See Article on Publisher Site

Abstract

Lhamo, the popular folk opera of Tibet is a genre in which the contested politics of the Tibetan diaspora and the People's Republic of China are displayed. This essay notes the practice of the art by the Tibetan refugee community in India and beyond, where it evokes nostalgia for a lost existence and the struggle for a return to the Tibetan Buddhist homeland. Meanwhile the art has been redeveloped in the People's Republic of China in the wake of the Cultural Revolution and used to support Chinese claims to Tibet. Lhamo presents a case study of a particular art and how it can be articulated to different political and economic ends.

Journal

Asian Theatre JournalUniversity of Hawai'I Press

Published: Apr 12, 2006

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