Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

Wayang Kulit Kelantan : A Study of Characterization and Puppets

Wayang Kulit Kelantan : A Study of Characterization and Puppets Abstract: This paper examines the principal characters of the Malay versions ( Hikayat Seri Rama and Hikayat Maharaja Wana ) of the Hindu epic Ramayana , which provides the source material for the Malaysian shadow play, wayang kulit kelantan . The characters are organized into several categories according to whether they are gods, human beings, demons, apes, or lesser creatures. Following that, the paper makes an analysis of eleven characters selected from the categories mentioned, as well as puppets representing them, through the Indonesian-Malay halus-kasar (refined-coarse) theory of aesthetics. Although important and appropriate to proper appreciation of Indonesian and Malay arts forms, the theory has not previously been applied to wayang kulit kelantan . http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Wayang Kulit Kelantan : A Study of Characterization and Puppets

Asian Theatre Journal , Volume 34 (1) – Feb 15, 2017

Loading next page...
 
/lp/university-of-hawai-i-press/wayang-kulit-kelantan-a-study-of-characterization-and-puppets-z37a3PuN5A
Publisher
University of Hawai'I Press
Copyright
Copyright © 2008 The University of Hawai'i Press.
ISSN
1527-2109
Publisher site
See Article on Publisher Site

Abstract

Abstract: This paper examines the principal characters of the Malay versions ( Hikayat Seri Rama and Hikayat Maharaja Wana ) of the Hindu epic Ramayana , which provides the source material for the Malaysian shadow play, wayang kulit kelantan . The characters are organized into several categories according to whether they are gods, human beings, demons, apes, or lesser creatures. Following that, the paper makes an analysis of eleven characters selected from the categories mentioned, as well as puppets representing them, through the Indonesian-Malay halus-kasar (refined-coarse) theory of aesthetics. Although important and appropriate to proper appreciation of Indonesian and Malay arts forms, the theory has not previously been applied to wayang kulit kelantan .

Journal

Asian Theatre JournalUniversity of Hawai'I Press

Published: Feb 15, 2017

There are no references for this article.