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Rhythmanalysing the coach tour: the Ring of Kerry, Ireland

Rhythmanalysing the coach tour: the Ring of Kerry, Ireland This paper utilises and extends Henri Lefebvre's ideas about rhythmanalysis to explore the rhythmic qualities of taking a coach tour. The paper investigates the Ring of Kerry tour in the West of Ireland and reveals both the reproduction and disturbance, through itinerary and narratives of the coach drivers, of anticipated discourses and visual indexes of commodified Irishness. Central to the paper is the ordering of different rhythmic assemblages, which connect and disconnect in multiple ways. It is argued that the rhythmic multiplicity of coach tours involve entanglements of embodiment, affective registers, technologies and materialities. The paper reveals how the myriad tempos and rhythms of the tour take on different consistencies and intensities at different stages of the journey, and investigates the capacities of these rhythms to affect and be affected by the pulse of the spaces moved through and stopped at. In so doing, a supplemented rhythmanalysis is suggested as a productive approach for apprehending tourist spaces, practices and landscapes. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Transactions of the Institute of British Geographers Wiley

Rhythmanalysing the coach tour: the Ring of Kerry, Ireland

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References (22)

Publisher
Wiley
Copyright
© 2008 The Authors. Journal compilation © Royal Geographical Society (with The Institute of British Geographers)
ISSN
0020-2754
eISSN
1475-5661
DOI
10.1111/j.1475-5661.2008.00318.x
Publisher site
See Article on Publisher Site

Abstract

This paper utilises and extends Henri Lefebvre's ideas about rhythmanalysis to explore the rhythmic qualities of taking a coach tour. The paper investigates the Ring of Kerry tour in the West of Ireland and reveals both the reproduction and disturbance, through itinerary and narratives of the coach drivers, of anticipated discourses and visual indexes of commodified Irishness. Central to the paper is the ordering of different rhythmic assemblages, which connect and disconnect in multiple ways. It is argued that the rhythmic multiplicity of coach tours involve entanglements of embodiment, affective registers, technologies and materialities. The paper reveals how the myriad tempos and rhythms of the tour take on different consistencies and intensities at different stages of the journey, and investigates the capacities of these rhythms to affect and be affected by the pulse of the spaces moved through and stopped at. In so doing, a supplemented rhythmanalysis is suggested as a productive approach for apprehending tourist spaces, practices and landscapes.

Journal

Transactions of the Institute of British GeographersWiley

Published: Oct 1, 2008

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